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Exuding elegance and grace both on and off the screen, Leigh was a refined sex symbol with two Best Actress Academy Awards, for “Gone with the Wind” (1939) and “A Streetcar Named Desire” (1951).She also pursued a career as a stage actress, starring in George Bernard Shaw's comedies and portraying classic Shakespearean heroines. Regarded as Hollywood's leading pinup during the '40s and '50s, the sultry actress became famous for her role in the film “The Outlaw” (1943).

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The actress and playwright was regarded as the sex symbol for seven decades, from the 1900s to the '70s.

She wrote plays including “The Wicked Age,” “Pleasure Man” and “The Constant Sinner,” often courting controversy for her non-conformist style.

The newly minted icon went on to star in films such as “The Great Garrick” (1937), “The Adventures of Marco Polo” (1938), “Love Finds Andy Hardy” (1939) and “These Glamour Girls” (1939).

Her performance in the 1946 film "The Postman Always Rings Twice" as a "cold-blooded adulteress" earned her critical acclaim.

After 15 years we still hold hands; we still have barbecues with friends a couple times a week.

[And Bo] still laughs at all my jokes even though she's heard them a million times. I'm sad when she's not around."The two are fiercely loyal to each other and he once told how to be faithful to your partner.

She starred in the film “She Done Him Wrong” (1933), bringing the sultry character of "Diamond Lil" to the screen.

She was best known for spouting double entendres onscreen.

She was famed for her smoky voice and was regarded as film noir's most beautiful face of the 1940s and 1950s.

She starred in films such as “The Strange Love of Martha Ivers” (1946), “Dead Reckoning” (1947) and “Desert Fury” (1947).

Then it's ugly." Famous for her "peek-a-boo" blonde locks, the actress had a fan following for her roles in films such as “The Blue Dahlia” (1946), “The Glass Key” (1942) and “Sullivan’s Travels” (1941), which cast her as the femme fatale.

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